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Ballet Luminary Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

In the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is naturally upright, his limbs defined beneath a plain tee. On stage, ballet dancers can appear as mighty gods, yet often in person they are small. This is not true for Ball, whose tall stature is part of his demand for heroic roles and partnering. With fine traits and piercing eyes, there's a touch of a brooding actor about him.

An Apparent Rise to the Top

At 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced little teasing for his early passion in ballet. Joining the esteemed training institution at 11, he moved directly into the troupe and was advanced each year, reaching the top rank of lead dancer in 2018. He has relished taking on substantial characters, particularly the emotional turmoil found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His upcoming featured role is as himself, in an "Evening With" series designed to offer behind-the-scenes insights into a performer's craft. He will guide the audience through a part, showing his mental workflow while performance. Even in more comedic ballets, the challenge is profound. "Don Quixote is one of the toughest from a skill perspective," he states.

The Mental Game and After the Show Feelings

What about after a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get immersed in the character, quite often I do feel embarrassed afterwards. Following an intense role I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. Yet a choreographer once observed on a "sense of suffering in him." Is there? "I'm quite energetic in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Early Drivers and Creative Influences

Ball's determination originated in youthful setbacks. Not excelling in competitions at school made him "driven!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own choreography. In his view, "organic movement has value." "Breaking the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, compositions, and art.

Close-Up Dance and Personal Partnership

He additionally favors presenting dance in more intimate venues. "It was just really exciting," he says of a past show. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." The couple aren’t typically paired on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Image

On social media, followers can see videos from his dance films and photos that showcase a athletic physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—something that can be seen on various levels.

Ball describes his younger self as "desperate for success." Has it lived up to his expectations? "I am conscious of how reality is a separate reality to the dreams you had as a child," he muses. He likely has another ten years of dancing left. "I guess in the time to come, I want to be a bit more kind with myself."

Written by

Charles Boyd

Elena Voss is a home design enthusiast and sustainability advocate with a passion for creating beautiful, eco-conscious spaces.

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